This conceptual proposition presents the environment surrounding a fictional sculpture—yet the sculpture itself is absent.
What remains is a carefully defined space: a void framed as though something once occupied it, or might still be imagined there. The exhibition label refers only to itself, functioning not as a guide but as a mirror, emphasizing the absence it names. The work is both deceptive and cynical, intentionally withholding the expected object. In doing so, it confronts the viewer—especially within the context of a commercial gallery—with a disruption of conventional expectations. The piece questions the position of art within society, the commodification of objects, and the desires projected by those who seek meaning or beauty in art. It is not an artwork to be seen, but a stage for absence—a confrontation with the space where art is supposed to be.